Lekar Hum Deewana Dil - 2014 Watch Online Hindi Movie
Lekar Hum Deewana Dil (With
Our Joyful Hearts)[1] may be a romantic screenland drama film that stars Armaan
religious belief and Deeksha Seth. put together created by Eros International and
Illuminati Films, it's the debut directorial venture of Arif Ali, WHO was the
assistant author of the film Aahista Aahista, directed by his brother Imtiaz
Ali. The film has music scored by A. R. Rahman.[1] The film was discharged on
legal holiday, 2014 to negative crucial reception in Asian nation and
worldwide. The script, direction and score of the film were criticised however
the performances of the debuting leads Armaan religious belief and Deeksha Seth
received mixed reviews by critics. although the promotional activities of the
film were suggestive that the film targeted a lot of multiplex screens audience
instead of single screens,[4]the film had a monotonous and sombre gap at the
Indian Box workplace with scarce occupancy
Rajeev Masand Forget Saathiya, that felt honest ANd real
within the manner that it addressed
young love and an impulsive marriage; Lekar Hum Deewana Dil isn’t even a
satisfying rom-com concerning squabbling lovers. The humor is systematically
juvenile, the climax therefore obvious you’ve guessed it long before it
arrives, and also the dialogue phoney despite being
Movie is formed value observation
by its extraordinary music,4 of the songs i prefer most ar below.
1)Bas Itna Hi Maaloom - sung
by Hriday Gattani & Jonita Gandhi, compsoed by AR Rahman whereas Maloom
lyrics ar fenced in by Amitabh Bhattacharya.
2)Mawali Qawwali - The song is
sung by Ishq Shava singer Raghav Mathur & Tanvi monarch and composed by
AR Rahman whereas lyrics ar fenced in by Amitabh Bhattacharya.
3)Khaleefa Khalifa - The
song is sung & compsoed by AR Rahman whereas its lyrics ar fenced in by
Amitabh Bhattacharya.
4) Tu Shining - sung by
Hriday Gattani, composed by AR Rahman whereas lyrics its lyrics ar fenced in by
Amitabh Bhattacharya.Its the film's gap song zingy!
Armaan religious belief is
nice in his debut film,to American state he appears like alittle of Rajeev
Kapoor mixed with plenty of histrion.Deeksha Seth appears ton|most} like
Genelia D'Souza and this film features a lot in common with Socha metallic
element Tha that had a higher script than this .Rohini Hattangadi is seen
during a main stream screenland motion picture when an extended time since 2008
Karzzzz.
The most alarming Father son
scene I actually have seen ever during a Hindi film is during this motion
picture,Father goes down the elevate to his workplace,Armaan gets in asks him for
one thing,Father starts bursts sort of a volcano shouting at him nearly beating
him reminding him of his "Aukaat" and the way he lives off his cash.
Film's director is Imtiaz
Ali's brother Arif Ali and has dexterously done his job.Sudeep Sahir plays
elder brother to Armaan,looks cute. Nikita Dutta is paired opposite Sudeep
Sahir within the film.The film was shot in Bombay,Chattisgarh (wherein one in
all the longest scenes was shot), Ooty and metropolis.
Lekar Hum Deewana Dil is
that the audio recording album, composed by A. R. Rahman, to the 2014 Hindi
film of constant name, directed by Arif Ali that stars Armaan faith and Deeksha
Seth among the lead roles. The film is jointly created by banner of divinity International and
Illuminati Films. The album choices six tracks, and was digitally discharged on
3 New Style calendar month 2014 on divinity Music.Lekar Hum Deewana Dil is AN
coming back romantic drama starting industry starter Armaan faith and South
Indian player Deeksha Seth. Armaan can be a member of the notable Kapoor tribe
and is thence the total relation of superstars Ranbir Kapoor, Kareena Kapoor
Khan and Karisma Kapoor. Directed by Arif Ali, Lekar Hum Deewana Dil is
scheduled to unhitch on four New Style
calendar month and seems kind of a promising film. The music has been composed
by the notable A.R. Rahman, with lyrics by the skilled Amitabh Bhattacharya,
administrative body has written song for films like metropolis specific and Yeh
Jawaani Hai Deewani. so is that the music to Lekar Hum Deewana Dil worth your
time? scan on to induce our verdict!
To electric motor the album
we've Khalifa, sung by A.R. Rahman, Suzanne D’Mello, Shweta Pandit, Mahesh
Vinayakram and Hriday Gattani. i like the techno elements to this song, that
sounds like one issue that you'd hear at a cabaret. in addition, I love A. R.
Rahman’s vocals throughout this one ANd he offers it AN unconventional, still
nice bit to it. i think it’s really entirely completely different stylish to
what America industry lovers unit usually accustomed listening too. still I say
provides it a listen as it’s frequently nice to undertake new things.Next up
we've Maaloom, by Jonita Gandhi, Hriday Gattani and Nakash Aziz. i like but the
song opens with some nice strumming of the musical instrument. still shortly
once, it merely plunges to very cheap which i merely found myself feeling
disengaged.
The beginning is funky:
'Khalifa' rendered by Rahman himself with Shweta Pandit and Suzanne D'Mello can
be a pulsing Some nonsensical relentless
beat and includes a recent Western flavour, with a rather convoluted
structure. The catchy, nearly nursery-rhyme like simple riff that comes as a
result of orchestration midway through
the track that detracts and disturbs which we tend to hope that it is a
visually necessary deviation.
The third track, 'Ala Hada'
(A.R.Rahman-Shiraz Uppal) includes somewhat little bit of a puzzling part. is
that this word presupposed to be 'alhada' (which suggests that 'exceptional'
altogether its connotations?). The stunning [*fr1] is that urban center (from
Pakistan) can be a a neighborhood of the song.Amitabh Bhattacharya writes the
ingenious lines, 'Tere bagair jeena lagta hai khaali / Dil hai magar seena
lagta hai khaali' but has little or no to provide throughout this or the
opposite song รข€“ really, this audio recording can be a pointy abasement for
the increasingly versatile author.Nakash Aziz-Shweta Pandit's 'Dil Beqasoor' is
well sung by Shweta, but the song is average. And why can Nakash's introductory
section ar offered as a kind of AN overlay, as if a pair of radio channels of
the past unit participating in divergent notes simultaneously? As an impact, it
ought to work within the film, but the novelty lacks charm. The lyrics unit too
figurative and lack any lingering
quotient or connect.
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